Miss Raika Khorshidian, Dr. Reza Afhami, Dr. Alireza Araghieh, Dr. Alireza Sadeghi,
Volume 6, Issue 12 (3-2019)
Abstract
The objective of this research is study the role of intercultural education through bicultural art experience for improving intercultural competence. For this, a phenomenological qualitative study designed aimed to introduce different aspects of Persian culture among 9 years old Brazilian children. It contained four steps: making interest, comparing two cultures, experiencing bicultural art creation and evaluating its durability. Triangulation of data as a method kind was used for the validity and reliability. Results indicates the influence of art experience on improving cultural understanding. Furthermore bicultural art experience was effective on shifting from denial stage, decreasing polarization significantly. It also increased the ability of minimization and acceptance. Finally, art experience caused durability of intercultural understanding among children.
Farzane Takbori, Dr. Mahbobe Khosravi, Nematolah Mosapour, Dr. Hassan Maleki, Reza Afhami,
Volume 9, Issue 18 (10-2021)
Abstract
The purpose of this article is to design a personalized lesson plan based on conceptual art in elementary school. From the point of view of conceptual art (from postmodern arts), educationand curriculum is a completely personal and situational matter. Using synthetic research method, the ideas and sources related to conceptual art were examined and the nine main categories of conceptual art identified included: social, political and cultural issues / critical approach / multicultural / creativity / audience interaction / global and indigenous dimension / biological issues Environmental / Variety in media technique. To realize a personalized curriculum, the concepts are: "style, how, level, content, teaching strategy and method, media, evaluation, time and place." Accordingly, an attempt was made to provide a model of combining the basic concepts of conceptual art in the general form of personalized curriculum, which has reached the final approval of the curriculum and conceptual arts experts.
Azam Safipour, Reza Afhami, Marjan Kian,
Volume 10, Issue 20 (12-2022)
Abstract
The purpose of this article is to evaluate the effectiveness of three methods of lecturing, storytelling and creative creative participation in learning spiritual heritage education such as chronological concepts focusing on Iranian celebrations and ceremonies for third grade students of Tehran Spectacular Museum. Exam and post-test and the statistical population of all primary school students visited the museum. From this statistical population,90 male and female students were randomly selected in the form of experiments (lecture group as a control group and two groups of storytelling and creative participatory drama as Experimental groups) were compared. Two-factor analysis of variance was used to analyze the data and test the research hypotheses.The results of this study showed that there is a difference between the three methods of teaching storytelling, participatory creative acting and lecturing on learning intangible heritage (Calendar). There is also a difference between girls and boys in learning intangible heritage (Calendar).
