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This study aims to identify and explain the experience of teaching art in the elementary school teachers was conducted. In this context, an essential question is examined: primary school teachers, learning how to experience the arts curriculum? Using qualitative research methods, semi-structured in-depth interviews and purposive sampling, 10 cases of primary school teachers Mehdishahr city were interviewed in depth. Theoretical saturation was confirmed at the end of my interview. Data were analyzed using coding techniques and the three criteria of validity and acceptability, reliability and scalability approval was obtained. The findings of the research, experience in teaching art in the elementary school teachers in the three main axes showed weakness honor the art, the lack of education, lack of parental interest. Based on these findings, teachers have not been successful in teaching the art curriculum and have failed to benefit from the potential for teaching art lessons. Despite the interest in the issue of teachers' verbal art unimportance among other courses in the teaching of practical arts curriculum for teachers is obvious. This is because art teachers from time to compensate for falling behind their modules to use. Facilities generally will address the curriculum of art as much as it abstained. Based on theory and research findings, strategies to overcome the challenges of art education in primary schools is recommended, including art lesson plans independently, providing specialized service training courses, particularly arts teachers, creating suitable for exchange of experiences among teachers, funding and facilities in accordance with the requirements of art lessons, parents and families to raise awareness of the importance of arts education.
 

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Our goal was to investigate readiness of art students in application of e-learning. This is a Descriptive- Survey research. Three hundred and forty-seven students of Alzahra University, Tarbiat Modares University, University of Tehran and Art University in 2013-2014 were selected by multistage cluster sampling and via Morgan Table. Their readiness for E-learning application was assessed by researcher-developed questionnaire. Data analysis is done by indexes of Descriptive statistics and One-Sample T-test. The results showed that a significant relationship was found between readiness of undergraduate students, graduate Students and post-graduate students to apply E-learning, but there was no significant relationship between the other variables of research (Sex, University and Field of Study). Results revealed that Art students were located in Moderate level of readiness for applying E-learning.
 

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This research aims to develop a useful tool based on Evert Rogers’s Diffusion of Innovation Theory and then evaluates the adoption degree of an educational innovation (Smart Board) in Karaj’s Schools. The mixed method approach with explanatory research design has been adopted; this design consisted of two sequential phases, described here as phase 1 (Quantitative) and phase 2 (Qualitative). The research method has been applied for quantitative phase is survey study and for qualitative phase is focus group. Research data gathered by two different tools; a questionnaire developed based on Rogers’s five criteria and a protocol form for doing semi-structured interviews. The overall findings show that this innovation has not been successfully adapted to school's context and so not been considerably accepted among teachers.

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: Flourishing students' artistic capacities is among the major missions of education in the Document of Fundamental Reform. The five axes of artistic education including communication with nature, aesthetics, artistic production, familiarity with cultural and artistic history and heritage, and artistic criticism, along with the content structure of culture and art textbooks including visual arts, calligraphy, traditional arts, vocal arts and performing arts are all issues that should be considered by planners in developing potential human abilities. This study involved the content analysis of the culture and art textbooks of the junior secondary system in 2015-2016. Images, texts, and activities were taken as the unit of record. The encoding method was deductive following the topical and structural aspects of culture and art education. To validate the encoding process, a second rater encoded 10 percent of the content, indicating a correlation of 0.89. The results revealed that artistic production, aesthetics, artistic criticism, familiarity with cultural and artistic history and heritage and communicating with nature are the most significant aspects of artistic education respectively. Additionally, visual arts, traditional arts, calligraphy, vocal arts, and performing arts are the main priorities. The study of the 3D model of curriculum structure showed the application of all three activity types (prescriptive, semi-prescriptive and non-prescriptive) in the textbooks, but their content needs to be reviewed regarding the coordination of activities with the educational content presented, the form of content integration, balance and diversity, and the lack of raising students’ motivation and creativity.

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The objective of this research is study the role of intercultural education through bicultural art experience for improving intercultural competence. For this, a phenomenological qualitative study designed aimed to introduce different aspects of Persian culture among 9 years old Brazilian children. It contained four steps: making interest, comparing two cultures, experiencing bicultural art creation and evaluating its durability. Triangulation of data as a method kind was used for the validity and reliability. Results indicates the influence of art experience on improving cultural understanding. Furthermore bicultural art experience was effective on shifting from denial stage, decreasing polarization significantly. It also increased the ability of minimization and acceptance. Finally, art experience caused durability of intercultural understanding among children.

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The present research aims to study, understand and explain the experiences of parents of students and school administrators from parent participation in school affairs of children. This research is conducted in a descriptive phenomenological approach. For this purpose, 8 managers and 6 students from Hamedan schools were selected by targeted method and data were collected by semi-structured interview. The collected data were analyzed by Straubert and Carpenter (2003). Findings show that in both groups there is no identical definition of participation and people refer to the funds of participation. In the structure, administrators rely on parent associations and coaches as formal institutions and parents focus on personal relationships with school agents. The fields of participation in schools are diverse and factors such as the motivation and parenting of parents, the positive interaction of managers and the existence of a participatory culture in the school organization can strengthen it.

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The main question of this study is that: “what are the reference characteristics of language arts curriculum in the first-cycle of Primary School on the base of theoretical framework and the related practices of some education systems in the field of language arts curriculum and instruction”. The subsidiary question is that: “from the viewpoint of Farsi language arts practitioners and language arts curriculum experts in primary school, which of these characteristics are valid and trustworthy for applying in developing the Farsi language arts curriculum in the first-cycle of Primary School. In the first step through a descriptive inquiry and research synthesis to study the theoretical framework and related experiences and practices in a few education systems, including: Japan, some states in United States of America and Finland, the reference characteristics of language arts curriculum in the first-cycle of Primary School and its consisted components are elicited.

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The purpose of this study was to address the challenges and approaches to produce customized electronic content using web based learning resources by the teachers of elementary smart schools of Tabriz city.  The phenomenological research method has been used for this qualitative research and the sample was the teachers of primary smart schools in Tabriz.  The sample was selected using a purposive snowball sampling method until reaching theoretical saturation. Data was collected through semi-structured interviews. Findings showed that teachers of the smart Schools are faced with two types of challenges in relation to content creation

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In the implementation of the new curriculum, art education has been marginalized. For this purpose, scientific activities must be planned which the person tries to change the unfavorable situation to a relatively favorable situation (action research). The aim of this study is the investigation of the challenges elementary classroom teachers face when implementing the new arts education curriculum and explanation of the concept of action research in integration of arts in elementary schools to implement the new art education programs. The method of study was integrated and based on action research. By using various arts (integration of art) and improving the conditions for its implementation (action research) it became clear that students are interested in changing the artistic program for its pivotality. Satisfactory results were also generated in the field of education and learning.​Implementing of new curriculum program based on the integration of art will increase the participation. 

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This study aims at investigating the experienced curricula of the skill-based higher education system from the perspectives of students therefore, a quantitative approach and a descriptive-survey method were utilized. The statistical population of the study comprised students of comprehensive scientific-applied universities in Iran. Stratified random sampling method and Cochran's formula were applied to select 660 students as the sample. Data were collected through a researcher-made questionnaireof skill-based curriculum in higher education, and the analysis was conducted through one-group t-test, Friedman. Content validity was verified and confirmed by curriculum and structural validity experts using software (PLS). The reliability coefficient was calculated using Cronbach's alpha (0.86). The final results suggest that the situation of the experienced curriculum was relatively favorable from the students' perspective in the three dimensions of "adapting the curriculum to 'the goals of the university, the skill-based system" and "executive aspects of the new curriculum." Accordingly, the skill-based higher education system in Iran requires great attention and fundamental changes need be made in curricula and teaching methods. Thus, this study suggests that the curriculum of the University of Applied Science and Technology (UAST) be designed to teach different skills, applied in professional and social life, and taught in simulated and practical educational environments in order to achieve the desired goals of the skill-based system.

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The aim of this study was to represent the semantic phenomenon of academic dropout of Martyr and Veteran Students and to present a paradigmatic model. Methodology of this research, qualitative and Participants included all students with academic dropout in Shahed schools, teachers and principals of Shahed schools, educational experts of the Martyr Foundation of Sanandaj City, as well as Educational Districts 1 and 2 of Sanandaj, the Kurdistan Province General Office of Education and the parents of those students who have Academic dropout . Based on the results of causal conditions, the phenomenon of academic failure, including emotional deficiency; Poor academic guidance and low motivation and Contexctual conditions including low effort and perseverance; Educational facilitation and academic dropout and intervening conditions including employment guarantee; They had a weak support structure and enjoyed the benefits of self-sacrifice. The core category was defined as academic failure as "acceptance of failure versus success."

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The purpose of this article is to design a personalized lesson plan based on conceptual art in elementary school. From the point of view of conceptual art (from postmodern arts), educationand curriculum is a completely personal and situational matter. Using synthetic research method, the ideas and sources related to conceptual art were examined and the nine main categories of conceptual art identified included: social, political and cultural issues / critical approach / multicultural / creativity / audience interaction / global and indigenous dimension / biological issues Environmental / Variety in media technique. To realize a personalized curriculum, the concepts are: "style, how, level, content, teaching strategy and method, media, evaluation, time and place." Accordingly, an attempt was made to provide a model of combining the basic concepts of conceptual art in the general form of personalized curriculum, which has reached the final approval of the curriculum and conceptual arts experts.

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This study has been done in the category of applied research with qualitative paradigm by thematic analysis through an inductive approach.From reliable first-hand documents and resources in terms and keywords of this inquiry in thriving countries,45 cases were selected by purposive sampling.The data collection tool was manual and computer notes(MAXQDA,2020).The network of themes extracted in the findings indicates a conceptual model with five broad themes(curriculum competencies,educational strategies,student,teacher and challenges and opportunities)and a practical model with five broad themes(School's curriculum,educational activities,operational activities,student activities,and teaching activities).The study shows that in prosperous countries like Finland and Sweden,students' start-ups have been started for many years and are going on regularly and desirably.Since this type of activity has been neglected in Iranian curricula,it is suggested that the curriculum of start-ups in the second year of high school be designed & implemented based on the criteria an indicatores provided in the models of this research.

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The aim of this study was to analyze the experiences of teachers in the implementation of art curriculum in the context of virtual education in the first elementary school. For this purpose, qualitative research method with phenomenological approach was used. Participants in the study included first grade elementary school teachers in the academic year 1399-1400 .which reached a theoretical saturation by purposive sampling with 11 people. The research tool was a semi-structured interview. The data obtained from the interview were extracted by inductive content analysis method and using open coding technique in concept sections, subcategories and main categories. The most important categories extracted included new goals, creative assignments, new teaching methods, use of various games, art education websites, audio file (storytelling). Also, the most important benefits extracted included the use of various resources and materials in education, appropriate and optimal use of teaching time, more teacher communication with individual students.

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The purpose of this article is to evaluate the effectiveness of three methods of lecturing, storytelling and creative creative participation in learning spiritual heritage education such as chronological concepts focusing on Iranian celebrations and ceremonies for third grade students of Tehran Spectacular Museum. Exam and post-test and the statistical population of all primary school students visited the museum. From this statistical population,90 male and female students were randomly selected in the form of experiments (lecture group as a control group and two groups of storytelling and creative participatory drama as Experimental groups) were compared. Two-factor analysis of variance was used to analyze the data and test the research hypotheses.The results of this study showed that there is a difference between the three methods of teaching storytelling, participatory creative acting and lecturing on learning intangible heritage (Calendar). There is also a difference between girls and boys in learning intangible heritage (Calendar).

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This article is the result of examining the experiences of teachers in the field of using art in instruction and teaching non-art subjects. This research is a qualitative type of research, therefore, 57 teachers of Alborz and Tehran provinces were selected by the purposeful sampling method and 22 cases were collected. The tool for collecting data was interview, as well as a written form of an open-ended questionnaire. The analysis of the collected data is of thematic analysis type and was done with a three-step coding method to extract categories and themes. The reliability of the findings has been checked by presenting the results to the participants and colleagues in order to achieve reliability and compatibility, their validity has also been checked by the code review method. The findings of the research include three categories of findings related to why, how and results of using art in instruction and teaching.