Sayed Mohammad Reza Ishghi is considered one of the constitutional poets in Iran and a forerunner in the case of literary modernism. The concept of   literary modernism is closely related with romanticism and its expansion from constitutional literature onward. Ishghi is the most outstanding poet of romanticism in his contemporary time. While his romanticism enjoys lyric elements; it is more concerned with social and revolutionary issues. Referring to ups and downs in Ishghi' life and highlighting romantic aspects of his works, this article analyses some of his works including "Maryam's three painting". Also, the romantic features of his works in terms of form and content will be presented.

Ferdowsi's Shahname, our national and ethnic narration, is a valuable mélange of myth, epic and history. Some critics have tried to divide Shahname into three distinct mythical, epical and historical parts but these three parts are so integrated that it has been impossible to distinguish them or to draw a borderline between them. For example, those stories which have been considered as historical part of Shahname by some of the critics are mixed with the stories which have roots in mythical thinking, symbolic concepts and national archetypes, yet having a tinge of myth. One of these stories is the story of Karam Haftvad. This mere mythical story is one of the most complex stories of Shahname which can be analyzed from different points of view. So many of the critics have tried to consider this story parallel to the historical realities and to find time, place and justification for it but they have hardly been successful simply because although the mythical plot of the story has been inspired by a reality, it needs mythological analysis to find this implicit reality. "What is Karam Haftvad's myth saying?" and "where has it been inspired by?" are the questions which this article tries to analyze relying on Carl Gustavo Jung's theory.

The authors of modern stories for the deliverance from the deformity of the new civilization attend the inner world, which is more expanded than the external world. They disregard specific philosophies in art and life and try to display the subjective and psychological personalities. Moreover, instead of revealing social objective challenges of the characters, they aim at displaying the contents of the mind’s inner world. However, to describe the inner world and the mind with the same writing methods used formerly is not possible. Modern writers in order to show the twisted layers of the mind and its world have tried to introduce new ways of narration and story writing. Of course, using such methods may cause some complexity in the novel, but the writer does that deliberately to bring the structure of his novel close to the structure of the mind.This article is a library research highlighting the nature of the mind and presenting one of the first Persian modern subjective novelsShazdeEhtejab by HushangGolshiri. It attempts to discuss how this novel shows the hidden world of the characters and investigates in depth the basic techniques that reveal the mind and the innerworld of the characters.