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Showing 5 results for Malek
Masoud Rouhani, Sarvenaz Malek, Volume 21, Issue 74 (5-2013)
Abstract
Many researchers in the field of socio-linguistics, sociology and feminism have done research on the principle of language showing that there are some differences between the language of men and women. The question is that whether gender plays any role in literary language(poetry) and besides phonetic, lexical and syntactic levels of language ifimages, such as simile and metaphor, are gender-oriented and are influenced by the mentality of women poets.In this researchthe influence of gender on the use of simile and metaphor in the poetry of ten contemporary Iranian women poets have been studied. First, one or two collections of the poetry of these poets have been randomly chosen, and secondthe two main figures of simile and metaphor have been analyzed in respect of gender. It is concluded that due to differences between men and women, such as their social and biological background, women poets use gender-oriented similes and metaphors. Moreover, they use these types of similes and metaphors to express their romantic and sensual-emotional tendencies.
Ahmad Ghanipour Malekshah, Mortaza Mohseni, Sogol Khosravi, Volume 24, Issue 80 (8-2016)
Abstract
One of the oldest and most pleasant and efficient kinds of poetry, which have attracted the attention of scholars and lovers of poetry since the beginning of the Persian poetry until now, is elegy. Khaghani Shervani is one of the poets who wrote after this genre and composed many memorable and beautiful elegies. The poet, who like many other people experienced happy and sad events and occasions, wrote many elegies in which he commemorates and remembers many of his dear ones. These poems are marked by their emotional language and poetic expression of feelings, which is simple and unaffected but at the same time expresses his emotion and passion in the best possible way. In this article elegy is discussed in the collected poems of Khaghani
Davood Vaseghi, Mahdi Malek Sabet, Mohammad Kazem Kahdooyi, Volume 26, Issue 85 (1-2019)
Abstract
Interpretations are of the most fundamental principles of mysticism (Sufis). Masters of taste with their scientific and intuitive power go beyond the surface structures and present real and unfathomable meanings of the Quran and Hadith in ways that may not cross the mind of ordinary people. Masnavi Manavi is one the works that has an interpretation look toward the Quran and Hadith. Delving into this great work reveals that Mawlānā, in many cases, goes beyond the surface structures of Hadith and attaches a profound meaning to them. Sultan Walad, Mawlānā’s son and follower, in his Masnavies adopted an interpretative view toward Hadith. Though he has innovative views about the interpretations of the Quran and Hadith, in most of the cases he was influenced by his father’s work.
The authors in this study investigate Mawlānā’s interpretive approach in Masnavi Manavi and reveal how they affected Sultan Walad’s Masnavies. The results show that Mawlānā and Sultan Walad rejected superficial thinking and reliance on the surface of religious works. They believed that because of the fact that they overcome their humanistic desires and self-love, the true Allah lovers are infallible in their speech because Allah reveals to them the truth. And they can express the profound meaning of religion through their intuitive powers and based on their mystic experience.
Keywords:
Malekmohammad Farrokhzad, Mojgan Zarekohan, Volume 27, Issue 87 (12-2019)
Abstract
Literature includes comprehensive areas and covers various topics and issues. It relates to the numerous studies and we can use different methods for analyzing and studying it. In other words, most of the issues of literature are “multi-ethnic” and have been firmly rooted in diverse sciences such as psychology. The concept of spiritual intelligence is encountered with the issues followed by meanings and values that because of them our intelligence will be shaped in a more enriched context and background of meanings. Although the term “spiritual intelligence” is not considered to be one of achievements in the area of mysticism and it is discussed in the field of psychology, it does not mean that this issue is totally abandoned in mystical works. To be fair, concepts related to spiritual intelligence and their equivalents are represented broadly and fruitfully in our mystical literature. The elements of religion and spirituality, especially spiritual intelligence, are of great significance in the era of mystical poem in Persian literature and Rumi’s poetry. The present study is library-based with a descriptive-analytical method which indicates that faith, peace, altruism and its practice in life and also the tolerance of the adversities of real world, are the prominent elements of spiritual intelligence in Rumi’s Mathnavi.
Abd-Al-Rahman Divasalar, Ahmad Ghanipour Malekshah, Morteza Mohseni, Volume 30, Issue 93 (1-2023)
Abstract
Mystical ethics is a set of epistemological models that their results and functions are manifestations of God’s attributes in the mystic and their aim is perfecting and bringing man from the lowest level of his existence to the highest level of perfection. This can be achieved through following the path of God and dwelling in spiritual homes and by abstaining from vices and adornment with virtues and through austerity and effort. Attention to this rich and prolific spiritual concept is very prominent in Jami’s Masnavi of Haft Awrang. Based on a descriptive-analytical method the aim of this study is first to define mystical ethics and then to extract and express some of the themes of mystical ethics in the Masnavi of Haft Awrang, which are proposed in three areas of “Man’s relationship with God”, “Man’s relationship with himself” and “Man’s relationship with other men” and within five domains of “ideological-epistemological”, “emotional-affective”, “voluntary”, “action” and “speech”. By studying this Masnavi, we find that Jami tried to encourage his audience to observe mystical ethics based on serving God. Thus, the themes used in this Masnavi mainly revolve around the area of man’s relationship with God.
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