|
|
|
 |
Search published articles |
 |
|
Showing 3 results for Iranzadeh
Mohammad Mahdi Zamani, Ne’matollah Iranzadeh,
year 23, Issue 78 (5-2015)
Abstract
Rabe’e bent-e Ka’b-e Ghozdari, as available documents indicate, is the first female Persian-speaking poet. Scholars have mainly studied her life rather than her poetry. In this research her poetry is analyzed from a linguistic perspective, that is, it is analyzed semantically. Semantic-field theory is one of the theories derived from structural semantics, which is considered as one of the fields of structural linguistics. The analysis of the semantic fields of Rabe’e’s poetry is a step to the stylistic study of its semantic layers. In this study the semantic fields of her poetry that can be considered as stylistic features are recognized, such as whether her language is feminine or masculine, her poetry is mystical or not, and if her description of love is different from that of her contemporaries.
Mr Nematollah Iranzadeh, Mr Mohammad Hassan Hasanzadeh, Mrs Saeideh Ghasemi,
year 29, Issue 90 (7-2021)
Abstract
In this study, based on Saadi’s Bustan, we have raised the question of how the peasantry gained power in the social structure. According to the hegemony and power approach, whose experts are Antonio Gramsci and Michel Foucault, and using the methods of critical discourse analysis and intertextuality, we examined power and resistance, which are the circles of interaction between community participants.Considering the multifaceted function of discourse in the seventh century texts, the research findings showed that along with Sufis and Zaheds and various social groups that used their own mechanisms to gain power, the subordinate class and the peasants also gained new power.By combining the ideas with the religious, mystical and customary beliefs in the society, which at the same time caused their own obedience and subjugation, they developed a mechanism that by reproducing and applying it,forced the most powerful individuals to surrender.Thus, with a deconstructive reading of texts, complex action and interaction between actors replaces the diminishing notion of one-sided interaction between socially active groups.
Dr Maryam Haghshenas, Dr Nematollah Iranzadeh,
year 30, Issue 93 (1-2023)
Abstract
The story of the descent of the soul as a symbolic language has been adopted by philosophers, mystics, and men of letters for years. The systematic investigation of this symbolic language in Suhrawardi’s works, which is often represented in the form of a story, reveals that this image is interwoven with philosophers’ reminiscence theory on the one hand and the myth of awareness and oblivion on the other hand. Suhrawardi’s distinct intellectual and ontological system turns the “image of descent” into a meaningful symbol through which the state of oblivion is depicted as man’s superior gain. The motif of descent, which is symbolized by a bird in most stories, is the tale of a wayfaring soul who has departed from its origin and descended into the corporeal world. The characters of Suhrawardi’s symbolic stories sink into oblivion after their descent, and this stage prepares the wayfaring soul to realize its limitations and abilities while many of its profound beliefs turn into frail notions. Oblivion and descent in those stories provide conditions through which the wayfarer experiences boundary situations that can lead to knowledge, excellence, and elevation. The present study adopted a descriptive-analytical approach to analyze the stories of “The Red Intellect”, “Resalat ol-Tair”, “Language of the Ants”, and “The Nostalgic Story of the West” and concluded that oblivion is some sort of pre-awareness or pre-understanding which plays a fundamental role in experiencing boundary situations.
|
|
