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Showing 3 results for Fotouhi
Mahmoud Fotouhi,
year 13, Issue 47 (9-2005)
Abstract
Allegory is a term of long history, wide use and likely vagueness in literary criticism and Persian eloquence. The term is sometimes used as the synonym of symbol, parable, and anecdote. In this article, an attempt has been made to explore the eloquent author's definitions in both old and new literary criticism and Persian eloquence by studying the background of allegory in religious literature and myths. The nature, function and types of allegory will be explored as well. Finally, the differences between metaphor and symbol of allegorical domains will be discussed.
Mahmoud Fotouhi, Fatemeh Razavi,
year 29, Issue 90 (7-2021)
Abstract
Over the centuries, Persian literature has provided a calm platform for the formation and expression of Iranian ideas.The idea of pluralism or (Wus’at-iMashrab) is one of the beliefs, which peaked in the tenth to twelfth centuries A.H. at the same time as the Safavid rule in Iran and the Gurkhani Timurid rule in India and spread views such as free thinking, happiness, and esotericism.This thought grew with the migration of intellectuals to India in twobranches of Iran and India and was used in various and sometimes contradictory meanings, from rebellion and atheism to the end of spiritual perfection and purity.By explaining this view in poetic Tazkirahs, this study deals with the differences and distinctions in these two political regions and shows how the meanings of Wus’at-iMashrabin poetic Tazkirahsin Iran and India are influenced by the political and cultural atmosphere of these two regions.
Mr Mohammad Mohammadi, Mr Mahmoud Fotouhi,
year 30, Issue 93 (1-2023)
Abstract
One of the common literary trends in the Safavid and Qajar historical periods was writing the poetic interpretation of the Qur’an in Persian. The intellectual and linguistic structure of this literary trend was in fact a continuation of interpretations such as Kashf al-Asrar (520 AH), especially in Nowbate Thalithah, and the Mawaheb Aliyah (Hosseini interpretation, 897-899 AH), a tradition that shifted from prose to poetry in order to establish and expand itself. The purpose of the present study is to introduce five lesser-known poetic interpretative works in Persian. This has been done by referring to library sources and accessing the original versions based on a descriptive method. The obtained results are significant for fundamental studies in the fields of Sufism literature and Quranic studies. The five newly discovered interpretations are as follows: 1. Tohfeh Al-Momenin by Molavi Karimbakhsh (1068 AH) 2. Tafsir Rashidi (written around 1300 AH) by Abolfayaz Qamar al-Haq 3. Tafsir Najm Isfahani (1335-1336 AH) by Najm al-Hokama Muhammad Mousavi 4. Tafsir Asma al-Hossna by Geda (?) 5. Tafsir Manzoom by Nazr Hassan Ibn Muhammad Ali Zaidi (1247-1366 AH
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