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Nezami Ganjavi enjoys a worldwide reputation as a great poet. His story-telling is based on reality. Together with his indescribable imagination, this feature has made him a distinguished poet in the realm of humanism and psychiatry. It seems that his genius is best depicted in Haft Peykar (Seven Planets) especially in his seven tales containing the inner layer as well as the outside elements of the story. One can go from the surface structure of his poems to the deep structure of his human character and, hence, discover the hidden aspects of his human character. A remarkable story in Haft-Peykar is the story of "Khair" and "shar". The theme of this story is a debate between two young people called Kheir (good) and Shar (evil/bad). This story can be interpreted in terms of psychology of the young. According to this classic psychological theory, the hidden aspects have a special status in manُ s spirit.These aspects sometimes manifest themselvessymbolically in humanُ's consciousness. In this story, good symbolizes humanُ s consciousness and bad/evil is the symbol of shadow and humanُ s subconscious. These two aspects finally reach a unity after a long debate with each other. The numerous archetypes such as anima, shadow, rebirth, journey, water and tree play significant roles in this struggle. The present paper is an attempt to shed some lights on these aspects.

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Shahnameh  is the whole mirror of ancient beliefs and Iranian's identity in far past years to the end of Sassanid's times. Most of Iranian ancient beliefs are manifested in each three parts of this epical work especially in mythic and epic periods. Herbages are the phenomena that is the subject of contemplation in mythical and also Totemic and anima beliefs which are some of the first forms of religion. The reflection of these beliefs which are sometimes similar to the other folk's myth, can be found in Shahnameh. Worshiping of herbages and the plant ancestry of mankind, which have often been seen among different tribes, are the core beliefs manifested in Shahnameh. Also, some of the characters in Shahnameh are goddess of herbage that their birth and death are the same as that of their mythical sample. In fact, these characters are the transformed models of mythical goddess of herbages.             

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Modernity made widespread changes in the institution of theIranian family reflected in the Persian novels. The aim of this research is to study the effect of modernity on the traditional structure of family based on the novel of Shohar-e Ahoo Khanoom. The method of research is qualitative content analysis. The effect of modernity on the relationship between family members, changeof family functions, presence of women in the society, and marriage and divorce are among the topics which were studied in this research. Afghani tried to depict the changes of Iranian family in the period of the first Pahlavi. The findings of this study shows that modernity diminished the high status of the father in the Iranian family and, on the other hand, women attained independence and individuality and became more active in the society. Moreover, more traditional members of the family developed tendency to modernity, though their understanding of modernity has been superficial.

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Khosrow and Shirin is the second of five long narrative poems by Nezami and is one of the finest love stories in Persian literature. This story has been examined so far from different aspects and with different approaches. One of the approaches overlooked in the analysis of this story is the process of individuation from Carl Jung's point of view. Therefore the aim of the present paper is to psychoanalyze the development of the character of Khosrow Parviz and other central characters. This will be done through analytical-descriptive method while drawing upon the archetypes of anima and animus, shadow, persona, anima, wise old man, etc. The result of the study suggests that to achieve the individualism and unification of Khosrow's personality, as the hero of the story, it is necessary for him to enter the unconscious so that through the symbolic indexes of the inner self and the forces that produce consciousness, the hero would obtain self-knowledge, and his way to throne and Shirin is smoothed.
 

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The process of aesthetics is a type of thinking that encompasses various philosophical schools, particularly in the realm of art, from Plato to the present day. It is a historical phenomenon that owes its philosophical significance primarily to Kant. Kant considers beauty as an independent concept, where the pleasure derived from it is inherent to the thing itselfYuriko Saito, a theorist of aesthetics, believes that the aesthetics of everyday life addresses the shortcomings of art-based philosophical aesthetics. Accordingly, aesthetic perspectives and judgments can determine the quality of life, social and cultural ethics, and serve as a necessary means for expressing the evaluation of individuals' everyday life quality. They empower humans to fully enjoy aesthetic experiences through interactions with artifacts, the surrounding environment, and human interactions. Since narrative storytelling contains propositions and capacities that can be evaluated from the perspective of everyday life aesthetics and also possess validity in the real world, this study aims to analyze and expound upon the aesthetics of everyday life based on Saito's perspective in three short stories from the collection "Aashiqyat in the Footnotes" by Mahsa Mohebbali. The research utilizes documentary and qualitative methods, drawing upon analytical library resources. The goal is to answer the question of what the elements of everyday life aesthetics are in these works. The findings of this study in the three short stories demonstrate that the everyday life of individuals and the role of objects, places, etc. are depicted as symbols, in the form of normative escapism and defamiliarization in human interactions, etc. Despite normative escapism and defamiliarization in human interactions, the texts of the stories provide a platform for experiences that ultimately lead to the realization and judgment that beauty, ugliness, and the mundane are genuinely manifested within them.