[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
Publication statistics::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
Publication Information
ju Publisher
Kharazmi University
ju Managing Director 
Nasergholi Sarli
ju Editor-in-Chief
Habib-Allah Abbasi
ju Manager
Zahra Saberi
ju In charge of the Site
Tahereh sadate Mirahmadi

EISSN 24766941
..
Indexing Databases

  AWT IMAGE   AWT IMAGE 
 AWT IMAGE   AWT IMAGE 
  AWT IMAGE 

   

..
Social Networks
   
..
:: Search published articles ::
Showing 3 results for Bidel

Mehrdad Akbari Gandomani, Mehdi Reza Kamali Baniani,
year 27, Issue 86 (7-2019)
Abstract

Through a rhetorical system, poets’ and writers’ worldview is reflected in their literary works. One effective factor in forming or changing these viewpoints is the happenings and changes of the world poets dwell on different levels. Simile is an important structure in the rhetorical system. In this piece of research the writers have tried to show how structure of simile in Bidel reveals transformations in the texture of situation on different levels through establishing relations with other rhetorical structures. Moreover, the research also investigates how vivid or subdued transformations in the current period affect the horizon of expectation of previous ages resulting in the formation of new horizons. In this article, the poems of Bidel are regarded as a field the intrinsic transformations in which can be attributed to other fields such as Hindi style of poetry. Through this study, it became obvious that not only the poet (Bidel) sometimes creates new structures out of old similes, but also he establishes new structures by creating chains of similes networks, resulting in the abundance of syntactic images, or  several images using multidimensional words, etc. In the following article, situational texture of Safavid era, linguistic texture of Hindi style, its common simile structures, and at last, new simile structures and their features in Bidel’s poems are studied.
 
Mustafa Mirdar Rezaee,
year 29, Issue 90 (7-2021)
Abstract

The geometrical complexity of some images, especially Indian-style images, which are not found in the field of traditional expression and which have not been mentioned by scholars in the historical tradition, is such that one must use a suitable tool to analyze them. In the present study, conducted by quantitative statistical analysis, first, frequency was usedto examine and compare the number of single and compound techniques in 500 verses of Bidel’s sonnets (which were randomly selected from all over his divan).Then, the three compound techniques of “irony metaphor”, “metaphorical amphibology metaphor” and “metaphorical amphibology irony simile” were examined in the structure of images of Bidel.The results of this study show that in both verses of Bidel’s poems, there is almost onecompound technique; additionally, onethird of Bidel’s images are created with the help of these techniques, and this means that by contenting ourselves with the four elements of traditional expression (simile, metaphor, irony, and metonymy) and ignoring the literary tools of compounding, the analysis and interpretation of Bidel’spoems will be incomplete.
 
Seyed Amirabbas Setayeshgar, Habibullah Abbasi , Seyed Morteza Mirhashemi, Effat Neghabi,
year 31, Issue 95 (11-2023)
Abstract

The use of music is one of the most useful techniques in poetry, which poets use to convey their thoughts. Owing to their mastery in music, some poets have employed it to express their reflections and to portray poetic images more than others. The frequency of the discourse of music in the poetry of this group of poets and the imagery created through it shows their mastery over music, both in terms of theory (in topics such as organology and the study of tunes and melodies) and in terms of practice (which is performing and composing music). Using a descriptive-analytical method, the present research aimed at investigating the means of the theoretical and practical music in the divans of two of the foremost representatives of the Indian style (sabk-e Hendī) of Persian poetry, i.e. Saeb Tabrizi, the leader of the mode called delicate imageries (nazok-khiyali), and Bidel Dehlavi, the forerunner of the mode called exotic imageries (dour-khiyali). First, by giving examples, the concepts of music in the poetry of the two poets were examined and then both views were compared in the field of music. The results indicated that mastery of music would highly contribute to the decoding of secrets of the poems. In effect, without finding the musical roots (as a specialty and profession) it would not be possible to gain the correct and precise understanding of some couplets. In fact, this method of applying musical concepts is not a sign of distant knowledge of the field, but it implies a kind of scientific and close knowledge. The result of this study – which is the explanation of the combination of theoretical and practical music in the two modes of delicate imageries and exotic imageries of the Indian style – indicates the three main branches of the association network, the theoretical-practical knowledge and the link between poetry and music.

 

Page 1 from 1     

دوفصلنامه  زبان و ادبیات فارسی دانشگاه خوارزمی Half-Yearly Persian Language and Literature
Persian site map - English site map - Created in 0.09 seconds with 34 queries by YEKTAWEB 4642