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:: Search published articles ::
Showing 3 results for Subject

Hamideh Nouhpisheh, Rooh-Allah Hadi,
year 23, Issue 79 (1-2016)
Abstract

The faults and inconsistencies found in semantics have undermined the place of this scientific field in literary studies and its importance in understanding the beauty of the texts and its capacity in analysis of literary issues. These faults often arise from lack of scientific method and clear definition of the principles of semantics. The aim of this research is to review, critique and explain 'omission and mention', which is one of the major questions of semantics. ‘Mention and omission’ are among the most important rhetoric tools of the Persian poets and writers variously and repeatedly used over the course of literary history. Therefore, its explanation along with the analysis of its rhetorical effects has been at the center of attention since the early periods


Farzad Karimi,
year 26, Issue 84 (9-2018)
Abstract

The crisis of representation is a topic widely discussed in critique and theory of postmodern literature. This refers to the crises of the present era including the crisis of meaning, the perplexity of contemporary humankind amidst a mass of valid and invalid data, alienation, etc. Literature, as the epitome of human life, is a reflection of these crises in the contemporary era. Azadeh Khanoom and Her Author or‌ the private Auschwitz of Dr. Sharifi, written by Reza Baraheni, is among the most well-known novels of the last three decades in Iran. This novel is regarded as a noteworthy example of postmodern fiction. In the present article, the crisis of representation in Azadeh Khanoom and Her Author is analyzed based on “subject”, as the philosophical substitute for the concept of “man”. In this analysis, the crisis of representation, its consequences for human subject and its influence on Baraheni’s fictional characters are explored; consequently, crises such as identity crisis, personality crisis, etc. can be considered as complications of man’s current affliction of the crisis of representation.
 
Ghodsieh Rezvanian, Souren Sattarzadeh,
year 32, Issue 96 (4-2024)
Abstract


 The issue of "subject" is the most important indicator of the distinction between classical and modern literature. "I" in classical literature is often general and abstract, but in contemporary literature, following modern philosophy, I is individualized and concrete, in other words, an active subject. Perhaps the most obvious manifestation of this paradigm shift - especially in poetry - can be seen in the type of encounter with the "subject". Contemporary poetry, from its most superficial romantic aspect to its most complex philosophical aspect, expresses a self-sufficient subject whose origin is human-centered.Ahmad Shamlou is one of the poets whose"I" is subject in his poetry. This research deals with the hermeneutics of self/subject in his poetry by the method of qualitative content analysis and critical reading, by studying the collection of Shamlou's poems and selecting suggestive examples. Since this I/Self/Subject has been subjected to turbulences and changes during the six decades of writing poetry, the theoretical support of the discussion is based on these developments, and also deals with the philosophical subject which emphasizes on individual thought and consciousness. and to a subject that is a social construct; That is why it is a compilation of the theoretical support of the article is a synthesis of Michel Foucault's discussions about the hermeneutics of self and governing oneself and others, the theory of symbolic interaction that deals with the individual I and Me, the theory of existentialism that focuses on freedom, choice and responsibility. Finally, because "I" in Shamlou's political poetry is as an ideological pseudo-subject under submission of the Tudeh party, but in his philosophical poetry, the result of knowledge and awareness based on his own lived experience, and thinking on existence, man, life and death, as the supreme subject (Subject), which leads to the formation of the subject in Althusser's view.

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دوفصلنامه  زبان و ادبیات فارسی دانشگاه خوارزمی Half-Yearly Persian Language and Literature
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