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Showing 2 results for Arash the Archer
Mr Mansour Rahimi, Professor Sayyed Ahmad Parsa,
year 31, Issue 95 (11-2023)
Abstract
The interaction and correspondence of a set of linguistic, literary, narrative, and discourse elements form a network of relationships with varying degrees of influence in connection with the text. The combination and integration of the views of theorists in linguistic, discourse, and narrative fields prevent the researcher from giving a one-sided account and pave the way for achieving more desirable results. In this study, using an integrative approach, we have attempted to present some of the most important linguistic, discourse, and narrative elements as effective factors in meaning formation, and to describe the position and the role of each of these elements in the text to understand the intra- and extra-textual aspects. To this end, the present research based its analysis on Halliday and Hasan's three-tiered theory of linguistics (context, agents, and mode of discourse). It also referred to Riffaterre's views for the description of the discourse context in poetics. Regarding the narratology, reference has been made to some statements of structuralist narratologists, and finally, for the description of discourse agents, Van Leeuwen's (2008) views on discourse and actors have been utilized. The results of the research show that firstly, the foundational theme and discourse context in Arash the Archer's poetry is the reproduction of the anticipation and hope for liberation through the emergence of a hero and savior. Secondly, the agents (actors) of discourse are divided into two main categories: the agent of action and the recipient of action. Arash, in the role of the sacrificed hero, is the agent of action in the narrative, and the people of the city, who are passive and waiting, are represented as the recipients of action. Thirdly, due to the specific discursive and ideological field to which Kasrai belonged, he omitted the ‘king’ character in the narrative.
Rahman Makvandi,
year 31, Issue 95 (11-2023)
Abstract
Arash the Archer (Ārash-e Kamāngīr in Persian), a narrative poem by the Iranian poet Siavash Kasrai, is one of the favorite poems among those interested in the Persian literature. The poem deals with universally attractive themes such as homeland, heroism, chivalry, and self-sacrifice, the novelty of which is never lost. These features make the poem rich in meaning and constantly make it apt for analysis and writing. In this research, which adopts a descriptive-analytical method, the poem is analyzed by the application of isotopy and the actantial model, concepts introduced by the French semioticain, Greimas. The high frequency of words in the semantic field of light and that of the semantic field of darkness in this poem can indicate the idea that alongside the physical war between Iran and Turan, a clash between light and darkness is also present in the poem. Considering light as a symbol of knowledge and darkness as a symbol of ignorance, from a semio-semantic perspective, this poem represents a clash between knowledge and ignorance on the one hand and light and darkness on the other hand. The results of the research show that in Kasrai’s narrative of the ancient epic of Arash the Archer, Arash is represented as a unique hero who is different from many other famous heroes both in action and character. The findings also indicate that in this poem an ancient myth has been represented in a modern and realistic fashion. In this narrative poem, Arash is represented as a hero whose actions, unlike those of many ancient heroes, are directed not by hubris or wrath, but by reason and wisdom.
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