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Magic Realism is a modern fiction style. Although it  invokes  a  South  American's  name  and  Gabriel  Garsia  Markez, specially, it  is  typical of  the third  world  nations. In fictions of this style, reality and fantasy tie together but in the manner that reality dominates fantasy rather than the other way around. Among Persian novelists, Qolamhossein Saedi is inclined to this style in his fictions. It is possible to divide Saedi 's fictions  into  two  groups: The  first  one, fictions  that  have  been written  in  Magic  Realism  style. The second one, fictions in which only traces of Magic Realism can be found. In this article, both  groups  of fictions and the rational why Saedi followed this style will be  discussed.  

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The modern literary movement in Iranian fiction writing is the most important movement in Iranian literature and the best author in this movement could be noted as Bijan Najdi. He was an anarchist and Empiricist author. Najdi’s stories are full of metaphors and similes, a trait which makes the language of his stories closer to the language of poetry and givessuch a stylistic distinction to his works that he is considered in Persian literature as the founder of poetic fiction. The most important factors that mark Najdi’s stories as modern stories are elements such as poetic language, use of time gaps and penetration of  the mind of his characters. In this paper surveying the narrative elements of "An Indian in Astara", we demonstrate that the story is a modern story and that Najdi employs modern narrativeelements, such as confrontation of life and death, imagination and reality, and acceptance of the situation and idealism, in order to express his ideas and the intellectual foundations of his thoughts.

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Dr. Noon Loves His Wife More than Mussadiqis a modern political novel written by ShahramRahimian. Focusing on psychological complications of politicians, the novelgivesa different view of 1953 coup d'état in Iran. In this study, relying on Bakhtin’s definition of polyphony,we will draw out its examples from the novel and analyze its functionsthrough a descriptive-analytic method. The question to answer in this article is what features polyphony has and howit is realized inthis text. Therefore this article stresses different features of polyphony such asabrupt shift in perspective, polyglossia among the social classes, the presence of various and opposite characteristics in one fictional character, heteroglossia, and intertextuality. Then, these will be investigated in the novel to support the claim that by providing the reader with varied tools, polyphonic novels lead the audience to a new understanding of the text.

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One of the Prose styles of the contemporary world is focused on the reflection of the outer world on the world of the story. This is widely used in the works of realist and naturalist Iranian writers. Sadegh Chubak, one of the prominent contemporary writers, has achieved a unique language by presenting the reality in his artistic prose. The aim of this research is to analyze the process of creating the meaning of reality in paradigmatic and syntagmatic axes. By an analytical-critical method and with the help of relevant theoreticians in this field, the author has analyzed Chubak’s realist-naturalist prose to highlight the features of naturalism in his prose as an artistic style of writing. It is concluded that Chubak’s writing is artistic and is far and beyond the hackneyed referential prose styles usually associated with naturalism.
 

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New Iranian fiction is the birthplace of modern and progressive ideas. For example, it is an arena where women play a role both as writers and as influential heroes in the creation of events. In this new literature, women are the subject of problems in many stories. One of these problems is violence against women. In this paper, we made an attempt to investigate violence, its types and tools and various causes of its occurrence in selected novels of the 1940s entitled Sang-e Sabour, Showhar-e Ahou Khanom, Shazde Ehtejab, and Suvashon by means of which to portray their authors’ attitudes toward women’s rights and issues in the society. Analyzing the contents of the aforementioned works, the most violence in its hidden and overt forms can be seen in Showhar-e Ahou Khanom, followed by Sang-e Sabour, Shazde Ehtejab and Suvashon, respectively. Numerous factors play a role in the occurrence of this violence: culture, customs and traditions, religious beliefs, family and the patriarchal attitude and women’s ignorance of their rights, are among the causes. The issue of violence against women in the novels shows that the writers of this period, as intellectuals and reformers in the society, have a feminist attitude and try to defend women’s rights by protesting against the ruling sexist traditions and criticizing the patriarchal domination and showing the unfavorable social conditions and inferior status of women.