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Showing 3 results for Women
Masoud Rouhani, Sarvenaz Malek,
year 21, Issue 74 (5-2013)
Abstract
Many researchers in the field of socio-linguistics, sociology and feminism have done research on the principle of language showing that there are some differences between the language of men and women. The question is that whether gender plays any role in literary language(poetry) and besides phonetic, lexical and syntactic levels of language ifimages, such as simile and metaphor, are gender-oriented and are influenced by the mentality of women poets.In this researchthe influence of gender on the use of simile and metaphor in the poetry of ten contemporary Iranian women poets have been studied. First, one or two collections of the poetry of these poets have been randomly chosen, and secondthe two main figures of simile and metaphor have been analyzed in respect of gender. It is concluded that due to differences between men and women, such as their social and biological background, women poets use gender-oriented similes and metaphors. Moreover, they use these types of similes and metaphors to express their romantic and sensual-emotional tendencies.
Kolsoom Ghorbani, Azar Hossaini ,
year 28, Issue 89 (12-2020)
Abstract
New Iranian fiction is the birthplace of modern and progressive ideas. For example, it is an arena where women play a role both as writers and as influential heroes in the creation of events. In this new literature, women are the subject of problems in many stories. One of these problems is violence against women. In this paper, we made an attempt to investigate violence, its types and tools and various causes of its occurrence in selected novels of the 1940s entitled Sang-e Sabour, Showhar-e Ahou Khanom, Shazde Ehtejab, and Suvashon by means of which to portray their authors’ attitudes toward women’s rights and issues in the society. Analyzing the contents of the aforementioned works, the most violence in its hidden and overt forms can be seen in Showhar-e Ahou Khanom, followed by Sang-e Sabour, Shazde Ehtejab and Suvashon, respectively. Numerous factors play a role in the occurrence of this violence: culture, customs and traditions, religious beliefs, family and the patriarchal attitude and women’s ignorance of their rights, are among the causes. The issue of violence against women in the novels shows that the writers of this period, as intellectuals and reformers in the society, have a feminist attitude and try to defend women’s rights by protesting against the ruling sexist traditions and criticizing the patriarchal domination and showing the unfavorable social conditions and inferior status of women.
Shiva Kamali-Asl, Abdollah Zabeti,
year 30, Issue 92 (5-2022)
Abstract
Despite the marginalization of women throughout history, their influence remains in ancient texts. The purpose of this article is to represent the role of women and their signs of activism in three anecdotes of Marzban-Nama based on Fairclough’s approach to critical discourse analysis, and to find the answer to this question: did women, given the patriarchal rule in society, accept the status quo, or change it in their favor? If so, how did they do it and what were the components of this activism? In this study, Marzban-Nama has been examined at three levels of description, interpretation, and explanation, and the signs of women’s power and how they exerted their agency have been represented. Considering the cultural and social situation in Iran at the time of writing the book, the results indicated that women had access to a kind of latent power in these anecdotes and played an active role in the development of the anecdote process. In Marzban-Nama, women often played an active role by symbolizing prudence, wisdom, and morality. Based on the social situation at the time of writing or rewriting this work, while power inequality between men and women was evident, women had access to power as silent rulers and their active role in shaping the process of the story was manifest. In sum, many signs of women’s power and agency were found in these anecdotes, such as having the right to choose, tact and decision-making power.
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