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Showing 2 results for Comparative Studies
Ahmad Rezaei Jamkarani, year 32, Issue 96 (4-2024)
Abstract
The main problem is to attend to one aspect and neglect the other aspects. Despite the efforts of Muslim scholars in these works, the research on metonymy have not received much attention. Therefore, while dealing with the transition of metonymy studies in the works of Muslim theologians, the present research has investigated this issue from different perspectives in rhetorical books. The results show that although logocentrism, the intermingling of different domains, abstract theological topics, unnecessary divisions, disregard for the functional aspect of language, overlapping types of metonymy, and repetition of the content are the main research problems of this kind, the theory of scientists such as Jorjani and Khatib Qazvini about the aspects of information, pragmatics and the context in the metonymy field should not be ignored. Also, the divisions proposed in these works, such as its categorization by metonymy (metalepsis) and the compound metonymy, along with their subfields, are significant.
M.s Marjan Heydari Tambrabadi, M.s Shiva Heydari Tambrabadi, Mr Vahid Vaziri, year 32, Issue 96 (4-2024)
Abstract
The present research, with an interdisciplinary approach, examines the role of architectural elements in the surreal stories of the blind owl and the prince of Ihtjab. Each of the architectural elements has its own specific definition and function, which shape the physical space and, in other words, create a space limited to time and place. But the content of these elements with their implicit meaning can create spaces that are not limited to time and place. Since the purpose of this research is to investigate the effect of architectural elements in creating the atmosphere of a surreal story; First, the architectural elements in the stories have been extracted, and based on comparative studies, their meaning beyond their physical aspect has been examined with the analytical-descriptive method, and finally their role in creating the surreal atmosphere of this story. It has been revealed. The Blind Owl can be considered the most important work of Sadegh Hedayat; In this story, architectural elements, including the storyteller's house and the mentioned buildings, have played a very important role in creating the atmosphere. In the story of Shahzad Ehtjab, the narrator of the story remembers in his personal room on the last night of his life, the surreal atmosphere of the story is formed by the room and the elements in it. With a deeper investigation, it can be said that the architectural elements in the room play an essential role in expressing the narrator's personal situations, recognizing the weaknesses and fears of the narrator.
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