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Showing 2 results for Ebtehaj
Muhammad Taghi Yousefi, Leila Hashemian,
Volume 29, Issue 90 (7-2021)
Abstract
In the semantic functionalism approach, language constructs are examined according to three specific views: Ideational, interpersonal, and textual. These three, calledmetafunctions, form the basis of Systemic Functional Linguistics (SFL). Halliday, the founder of systemic functional linguistics, believes that the patterns of experience and mental concepts of the creators of works are reflected in the verbal processesof ideationalmetafunction. Therefore, by examining the types of processes, and the factors and circumstances that create them, one can become aware of the ideas and experiences of the creators of literary works and analyze the factors influencing their formation.Considering this aim and adopting a descriptive-analytical approach, Ebtehaj lyrics, based on their constructive discourse, were divided into three historical periods and after determining the frequency and describing the function of verbal processes as astylistic feature their constituent factors were analyzed. The findings show the extensive application of the material process and then the relational process to other systemic functional linguistics processes.The reason for the high frequency and type of application of the mentioned processes, as well as the small representation of other main and secondary processes ofideationalmetafunction in Ebtehaj sonnets should be considered in factors such as the effect of meaning on the formation of the language of the work, political and social changes of the poet’s time,his special mood and stylistics, the importance of the role of the audience in his thought, as well as his drawing inspiration from earlier and contemporary poets.
Ph.d Badrieh Ghavami, Ph.d Lida Azarnava,
Volume 30, Issue 93 (1-2023)
Abstract
Semiotics is an interdisciplinary approach that examines sign systems in a literary work; Among the approaches to semiotics is the theory of Michael Riffaterre, a French-American theorist on the semiotics of poetry. According to this approach, the reader is a very important factor in the process of reading the text; Riffaterre believes that meaning is always present in the text of a poem and only the reader should extract it. In his view, the meanings of poetry should be understood on its own, not by referring its signs to external realizations, and understanding poetry requires the reader to try to find an intertwined network of signs, and in this regard, her approach can also be considered as a reader-cantered critique. In this research, Ebtehaj's poem " Arghavan" [English Equivalent: purple] has been analysed using Riffaterre approach. The central idea of the poem is "the isolation of the poet in an inappropriate social space", which is expressed in different ways in the text of the poem. Although this idea is not mentioned directly in the poem, the widely used propositions and clichés of the language that the poet uses by repeating them in the process of "over determination" or through the "conversion" process, by modifying those propositions, or using the "expansion" process, by extending the general idea to more detailed ideas. In addition, by discovering two semantic processes of "accumulation" as well as "descriptive anthologies", which all come from the same source and guide the poem to induce a single theme, the descriptive anthology of " Azadi" (freedom) that evokes words such as "morning", "spring", "candle", "lamp", "sun", "dawn" and "sun"; In contrast to "Sharayet-e Namonaseb-e Ejtemaei" (unfavourable social conditions) that the "forgotten silent corner", "crypt" and "night of darkness" evoke the same concept.
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