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Showing 5 results for Literary Criticism
Qaysar Aminpoor,
year 13, Issue 47 (9-2005)
Abstract
Azraqi Heravi is one of the great poets of the fifth and sixth centuries who is ranked often as a minor poet. In this paper, the researcher reports a study of the data related to this poet and his life, and, discussing the style of his writing and the innovations he introduces in his poetry, he tries to show that because of these very innovations Heravi is equal to some of his contemporaries if not superior to them. This paper discusses different aspects of his poetry such as his thought, imagination, emotion, language, music and form and gives some evidence to illustrate each of these elements and technical aspects.
Masoud Rouhani, Mohammad Enayati Ghadikolaee,
year 17, Issue 66 (3-2010)
Abstract
Currently, we can hardly find any criticism that has not paid any attention to structural functionalism. Contemporary literary criticism leads to structuralism inspired by de Saussure's linguistic theory. Structural analysis, especially, of narrative works is one of the most extraordinary achievements of contemporary literary criticism. In the stories, fairy tales and epic realm, Vladimir Propp's method is the best for structural stratification and analysis. His method is based on tales stratification and symbolic analysis of each stratum. Vladimir Propp used structural linguistic analysis for narrative analyzing. Propp, having studied one hundred narratives with similar composition, uncovered the structure of "main narrative" and by analyzing one hundred stories of Russian stories concluded that there were thirty one genres. He believed the method could be applied to other folk tales and even novels. Propp's method has been used by other scholars and sometimes was criticized too. Although Propp's system has its own defects, it has provided a proper starting point for other theorists and has influenced subsequent theorists. This article follows Propp's model and method and intends to stratify and analyze "Bizhan and Manizhe” Story, one of Ferdowsi's Shahnameh stories, The aim of this article is to probe Propp's model in this story.
Hamid Abdollahian, Farnoush Farahmand,
year 20, Issue 72 (5-2012)
Abstract
Najdi is one of the outstanding contemporary writers due to his specific style. He has a different attitude towards human life and cultural elements of Iran, which makes his stories a good subject for discussion and research. In this article, two stories of Najdi are analyzed in the light of Deconstruction: “The Day of Asb-rizi” and “The Night of Killing Sohrab”. Deconstruction is mostly based on Derrida’s theory. It originated and was initially used in Philosophy and then it spread to literary criticism. The aim of Deconstruction is to find the binary oppositions, to analyze them in order to reveal the contradictory points and to deny the accepted assumptions. The results of this process is to doubt those beliefs that have been considered as axiomatic up to that time. In Najdi’s stories, the binary oppositions include man/animal, man/nature and man and civilization. In “The Day of Asb-rizi”, the opposition between man and animal, and, freedom and slavery causes some contradictions in the major themes of the story. In “The Night of Killing Sohrab”, the binary opposition is that of harsh patriarchal world/ innocent childish world, or, experience/inexperience.
No Ebrahim Hasanaklou, No Reza Cheraghi,
year 32, Issue 96 (4-2024)
Abstract
The controversy over Nima's literary theory and poetry has a long history. Literary critics, each of them, supported Nima and presented a special interpretation of him. The problem of this research will be to read the opinions of Barahani and Pournamdarians of the seventies as representatives of academic and non-academic criticism. This research showed that Pournamdarian and Barahani made mistakes in their understanding of Nima and sometimes they went too far in their opinions. Despite all this, it can be said that despite trying to understand Nima in a new way, Pournamdarian is still trapped by the stereotyped traditions of literary criticism, which makes him define new poetry under traditional poetry. On the other hand, Barahani has neglected the historical process of Nima's theorizing and poetry, has gone to extremes in some of his opinions and announces a crisis that we can see in the poetry of the seventies. In other words, tradition and modernity are clearly incompatible in the opinions of these two critics. Pournamdarian wants to mix modern poetry with traditional criticism, and Barahani becomes dogmatic in his criticism.
Dr. Hossein Bahri,
year 32, Issue 97 (1-2025)
Abstract
The Persian translation of “The Adventures of Hajji Baba of Ispahan” by James Morier is undoubtedly one of the masterpieces of Persian literature. Mirza Habib Esfahani translated this work into Persian from the French translation of the book. The fact that a translated work, through an intermediary translation, can meet such a reception by the readers in the literature of a language is considered one of the rare and exceptional cases. Since the publication of this work, researchers of language and literature, translation and other fields of humanities have studied its various aspects. However, so far, there has been no research that studies the reception of this translation by the Persian readers from a historical perspective. In this article, based on Jauss’s concept of “Horizon of Expectations” and using the descriptive-analytical method, the researcher has tried to investigate various aspects of the reception of this translation by the Persian readers before and after the Islamic Revolution through reviewing the works and examining the existing texts. To do so, from among the studies available on this work, which comprised about 50 Persian articles and books published since 1942, ten significant works (5 published before and 5 after the Islamic Revolution) were selected and the expectations within them were examined and analyzed using the qualitative content analysis method. Next, the various themes of the receptions of the Persian translation that were discussed in these ten works were extracted and compared. The findings of the study indicated that during both periods of time, the Persian translation of “The Adventures of Hajji Baba of Ispahan” was of interest to the literary taste and in accordance with the expectations of the readers, including writers, critics, and researchers, and it still continues to be widely received by the readers, which has made this work enduring and popular.
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