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Magic Realism is a modern fiction style. Although it  invokes  a  South  American's  name  and  Gabriel  Garsia  Markez, specially, it  is  typical of  the third  world  nations. In fictions of this style, reality and fantasy tie together but in the manner that reality dominates fantasy rather than the other way around. Among Persian novelists, Qolamhossein Saedi is inclined to this style in his fictions. It is possible to divide Saedi 's fictions  into  two  groups: The  first  one, fictions  that  have  been written  in  Magic  Realism  style. The second one, fictions in which only traces of Magic Realism can be found. In this article, both  groups  of fictions and the rational why Saedi followed this style will be  discussed.  

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Fantastic Realism is a genre which remind us of Russia and its great writer Dostoevsky. This genre has been developed in Iran among Iranian writers who have been familiar with the books of world literature, especially Russian literature. Fantastic Realism employs and combines reality and imagination, and while it concerns the reality related to human beings, it pictures that kind of reality which is internal. That is why the reader has some difficulty in finding the true meaning in such novels. Among the Iranian writers, Khosro Hamzavi is more inclined to this genre and the novel The City which Died under the Cedar Trees is one of the best novels of this writer which is written on the basis and reflects Fantastic Realism. The City which Died under the Cedar Trees is discussed in this paper based on Fantastic Realism using a descriptive-analytic method.

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Interdisciplinary studies of Persian literature and psychology have played an effective role in explaining and conveying concepts in these two fields. Considering the role of Persian proverbs in objectifying abstract concepts and representing the common internal needs and desires of Iranian ethnic groups, this paper intends to study the function of this part of folklore literature in the process of reality therapy. William Glasser (1925), the developer of reality therapy, explained this new psychological approach based on choice theory. Reality therapy is based on self-evaluation, relying on realism and morality, and ultimately a call for responsibility to achieve happiness and well-being. Using qualitative analysis, the present paper seeks to answer the questions of how to re-read Persian proverbs with new approaches to psychotherapy? And, is the use of Persian proverbs effective in the process of counseling and psychotherapy? Selected proverbs have been studied with regard to Glasser’s emphasis on the effectiveness and moral nature of human behavior. The findings show that proverbs which express effective behavior, while having the criterion of responsibility, lack an immoral aspect, and those which talk about avoiding general ineffective behavior do not have a moral aspect, and refer to irresponsible behavior. However, moral duality is evident in both groups of proverbs. It seems that Persian proverbs with aspects such as advice and counsel, clarity and correctness of meaning, good effect, reliance on experience, reflection of thought, etc. can be effective in conveying the concepts of reality therapy.
 

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The theme of most of the Sufi anecdotes is the Kerāmāt (miracles) of the Sheikhs (elders). A large volume of mystical memoirs and biographies and some other Sufi texts can be included under the title of “Kerāmāt Anecdotes”. These anecdotes have always been the subject of acceptance or rejection by various groups of their audience. Determining the type of reality in these Kerāmāt anecdotes and classifying them under a particular view of reality is one of the most important issues surrounding these anecdotes. There are several ways to accept the Kerāmāt anecdotes, but the best and most comprehensive way that the author advocates in this paper is the analytical realism of Kerāmāt and the attainment of a type of mystical or Sufi realism. Those who neither submit to devotional acceptance nor are themselves in the path of mysticism to attain the truth of Kerāmāt by means of discovery and intuition, can arrive at a level of acceptance of Kerāmāt with the help of specific analyses. However, in the realistic analysis of Kerāmāt, there is no reduction or limitation in the phenomenon. The present descriptive-analytical library research seeks to identify the type of reality in this particular narrative in order to prove that the reality of Kerāmāt anecdotes is not equal to any existing or familiar reality and as a result these anecdotes need their own specific realism.